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Bernard Vitet (26 May 1934 – 3 July 2013) was a French trumpetist, multi-instrumentist〔(Francis Marmande, Le Monde 07_06_2013 )〕 and composer, co-founder of the first free jazz band in France (1964)〔François Tusques ''Free Jazz'', Mouloudji, 1965 (reissue In situ 139, 1991)〕 together with François Tusques,〔François Tusques ''1992, Le jardin des délices'', in situ 165, 1993 - ''Octaèdre'', Axolotl AXO101, 1994 - ''Blue Phèdre'', Axolotl AXO103, 1996〕 Michel Portal Unit (1972)〔Michel Portal Unit, ''No, no but it may be'', Le Chant du Monde LDX 74526, 1972 (reissue Universal 038 352, 2003)〕 and Un Drame Musical Instantané with Jean-Jacques Birgé and Francis Gorgé in 1976. Born in Paris, France, Vitet was involved in the early fusion of jazz and contemporary music with Bernard Parmegiani and Jean-Louis Chautemps.〔Bernard Parmegiani, ''Pop'eclectic'' incl. ''Jazzex'' (rec.1966), Plate Lunch PL08, 1998〕 In the 1960s, he accompanied singers such as Serge Gainsbourg,〔Serge Gainsbourg ''En relisant ta lettre''〕 Barbara,〔Barbara ''Ni belle ni bonne, Madame''〕 Yves Montand,〔Yves Montand ''Il n'y a plus d'après, Quand tu dors près de moi''〕 Claude François, Brigitte Bardot,〔Brigitte Bardot ''Un jour comme un autre, À la fin de l'été''〕 Marianne Faithfull, Colette Magny,〔Colette Magny ''Répression'', Scalen' CMPCD 03, 1972 (reissue 1990)〕 and Brigitte Fontaine. He played with jazz musicians such as Lester Young, Archie Shepp, Anthony Braxton, Don Cherry, Chet Baker, the Art Ensemble of Chicago,〔Art Ensemble of Chicago, ''Go home'', Galloway 600502, 1970〕 Steve Lacy, Gato Barbieri, Jean-Luc Ponty,〔Jean-Luc Ponty ''The beginning of...'', LP Palm 19〕 and Martial Solal. In his early years, he performed with Django Reinhardt, Gus Viseur, Eric Dolphy, and Albert Ayler. Under his own name he recorded ''Surprise-partie avec Bernard Vitet'' (on trombone!),〔Bernard Vitet ''Surprise-Partie "D"'', GEM52/D, 1954〕 ''La Guêpe'' on texts by Francis Ponge,〔Bernard Vitet ''La guêpe'', Futura Son 05, 1971 (reissue 2005)〕 ''Mehr Licht!'',〔Bernard Vitet ''Mehr Licht!'', GRRR 1003, 1979〕 and about 200 other records with the aforementioned, plus Jean-Claude Fohrenbach, Georges Arvanitas,〔Georges Arvanitas, Soul Jazz, Columbia FPX 193, 1960〕 Sunny Murray,〔Sunny Murray, Shandar 10.008, 1968 - ''Big Chief'', Pathé Marconi 1727561, 1969〕 Michel Pascal,〔Michel Pascal ''Puzzle'', Ina 275 742, 2000〕 Alan Silva,〔Alan Silva ''Luna Surface'', Byg 529.312, 1969 - ''Seasons'', Byg 529.342-43-44, 1970 - Celestrial Communication Orchestra ''My country'' (rec. 1971), Leo LR 302, 1989〕 Alexander von Schlippenbach,〔Globe Unity ''67 & 70'', Atavistic/Unheard Music Series, 1970〕 Hubert Rostaing, Alix Combelle, Ivan Jullien,〔Ivan Jullien ''Paris point zéro'', Barclay, 1965〕 Christian Chevalier, Jef Gilson,〔Jef Gilson ''Enfin'', cd FD 151922, 1962-63〕 Jack Diéval,〔Jack Diéval ''Sastanak u Studiju II'', Cosmic Sounds CS26, 1961〕 Jac Berrocal,〔Jac Berrocal ''Parallèles'', Davantage 01, 1976〕 Hélène Sage〔Hélène Sage ''Comme une image'', GRRR 2014, 1989 - ''Les araignées'', GRRR 2022, 1997〕 and 17 albums with Un drame musical instantané. In 1995, he co-signs the songs of ''Carton''〔Birgé Vitet ''Carton'', CD audio/rom GRRR 2021, 1997〕 with Birgé, with whom he collaborates on music for films, exhibitions,〔''Il était une fois la Fête Foraine'', Grande Halle de La Villette (cd Auvidis), 1995 - ''Jours de cirque'', Grimaldi Forum, Monaco, 2002〕 and CD-Roms.〔''At the Circus with Seurat'', Réunion des Musées Nationaux / Gallimard / Hyptique), 1996 - ''Mr Men'', 2001 (Hyptique-Emme)〕 Vitet invented instruments such as a reed trumpet, a multiphonic French horn, a variable tension double-bass, the dragoon which is a giant balafon with frying pans and flower pots keyboard, a clever system of modal clocks, and astonishing musical objects for Georges Aperghis, Tamia, and Françoise Achard. Besides trumpet, he sang and played flugelhorn, piano and violin. He composed theatre music for Jean-Marie Serrault, and for the films (''Les coeurs verts'' by Édouard Luntz, ''L'ombre de la pomme'' by Robert Lapoujade with Jean-Louis Chautemps, ''Bof'' by Claude Faraldo in collaboration with Jean Guérin,〔Jean Guérin ''Tacet'', Futura Son 14, 1971〕 and ''La femme-bourreau'' by Jean-Denis Bonan. From 1976 to 2008, he devoted himself primarily to Un Drame Musical Instantané with Jean-Jacques Birgé, improvising and composing hundreds of pieces together, experimental essays as well as symphonic pieces, songs as well as music for films. Un D.M.I., as a trio or with their 15-piece orchestra, presented multimedia shows involving cinema, video, literature, dance and new technologies. Site (drame.org ) offers hundreds of unissued pieces free to listen and download. ==Notes== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Bernard Vitet」の詳細全文を読む スポンサード リンク
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